2992 безплатни аудиофайлове за "F Sharp Minor Chords"

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Harmonic Chord 3:5:7:9. Traditional notation: G E B♭ D. Title refers to harmonics (fundamental=1:3:9:etc.).

Ambient vocal atmosphere [d minor].

Johann Sebastian Bach's 1st Partita for Solo Violin, 1st movement: Allemande, recorded in the MAT Listening Room, QMUL, London, UK

Introduction and Rondo capriccioso (A minor), op. 28. Camille Saint-Saens - Introduction and Rondo capriccioso (A minor), op. 28 (performed by Skidmore College Orchestra) Македонски: Камиј Сен-Санс — „Вовед и Рондо и капричозо“ (а-мол), оп. 28 (Оркестар на Скидморскиот колеџ) Introdukcja i rondo capriccioso a-moll na skrzypce i orkiestrę, Op. 28 autorstwa Camille Saint-Saëns w wykonaniu Skidmore College Orchestra.

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5. Bahasa Melayu: Contoh ton dengung (pedal tone). Fail asal wiki:en ialah Domain Awam, calon Wiki Commons. Diubah daripada format mid ke ogg.

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 44 Fugue No. 22 in B-flat minor, BWV 867

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 43 Prelude No. 22 in B-flat minor, BWV 867

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 43 Prelude No. 22 in B-flat minor, BWV 867

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 16 Fugue No. 8 in D-sharp minor, BWV 853

Pedal tone in Bach's Prelude no. 6 in D Minor, BWV 851, from The Well Tempered Clavier, Book I, m.1-2. Created by Hyacinth (talk) 04:48, 4 July 2011 (UTC) using Sibelius 5.

Kimiko Ishizaka - Bach- Well-Tempered Clavier, Book 1 - 44 Fugue No. 22 in B-flat minor, BWV 867

Kimiko Ishizaka - Bach - Well-Tempered Clavier, Book 1 - 16 Fugue No. 8 in D-sharp minor, BWV 853

Scriabin, Sonata Op.5 Op.53. Meas.263-264

Free use.

A short and sweet simple piano chord progression. This is in a minor key with a sad feel.

Prelude in B minor (J. S. Bach, arranged by Siloti), an arrangement of Bach's Prelude in E minor BWV 855a

Johannes Brahms - concerto in a minor, op. 102 'double concerto' - iii. vivace non troppo (double concerto)

Sergei Rachmaninoff - etudes tableaux, op. 39 - v. apassianato in e flat minor

Danse macabre by Saint-Saëns performed by the Philadelphia Symphony Orchestra under Leopold Stokowski. "Record date is 4/29/1925, with master numbers CVE-27929 and CVE-27930. Also, the subtle "VE" stamp reveals this to be an early electrical recording. It doesn't have quite the brilliance of the 1927 and -28 Victor productions, but still captures the violins nicely. Victor 6505-A and B, concatenated from the original 2 sides."

Concerto for Violoncello and Orchestra in B minor, op. 104 - 1. Allegro (Pierre Fournier, George Szell, Berliner Philharmoniker, Germany)

Camille Saint-Saëns - Danse macabre (Orchestre de l'Association des Concerts Colonne, dir. Louis Fourestier, 17-18 février 1953)

Cc0 // processed iphone recording of some piano in f minor, glitched using beats mode.

Truck driver's gear change, modulation up a whole step, in "Because the Night".

Debussy's Pelléas et Mélisande motif, at Mélisande's entrance and later when Golaud asks if she ever loved Pelléas, features, in addition to the already usual ninth, a thirteenth inverted to a "warm" close-position fourth.

Consonant harmonies based on the odd harmonic overtones 3/5/7/9.

*Minor sixth on C = A♭ (G↑ Easley Blackwood's notation). Equal-tempered: 28/12=10/15=6/9=48/72:1 = 800 cents. MIDI pitch bend: 0,64 MIDI.

Piano concerto no. 2 in c minor, op. 18 - i. moderato

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E flat minor9 chord on acoustic guitar.

E flat minor7 chord on acoustic guitar.

Minor chord progression on mic'd acoustic guitar with a dirty sounding echo.

Chord progression on mic'd acoustic guitar. A major, c# minor, b minor, e major. Sm57.

Used as transition between scenes for a play. The chord is unusual but essentially a minor chord. Does not adhere to equal temperament so it sounds odd to the typical musical ear.

D flat minor on acoustic guitar.

Audio sample which exemplifies Andalusian cadences, as shown in the article (see the picture below the Structure section). Recorded using an emulated acoustic Steinway piano through the Sound Font 2 technology, on August 9th, 2007 and released into public domain in the same day.

Chord rewrite rules II: use of chromatic passing chords.